Through musical displays of words and sounds the Danish composer Kirstine
Fogh Vindelev explores complex conditions and systems. With her
documentary approach, field recordings and transcriptions of these she
examines darkened and parallel societies. Her work is often based on a need
to break the normalized, the familiar and harmonious. She challenges our
inherent associations and expectations of a place, a material and a form.

To Kirstine Fogh Vindelev composing is a way of comprehending the world
and the times we live in. The horror and seriousness of reality is exhibited
with sober compositional methods which often are being staged through the
bodies of the musicians.