Through musical displays of words and sounds the Danish composer
Kirstine Fogh Vindelev explores complex conditions and systems.
With her documentary approach, field recordings and transcriptions
of these she examines darkened and parallel societies.
Her work is often based on a need to break the normalised,
the familiar and harmonious. She challenges our inherent associations
and expectations of a place, a material and a form.

To Kirstine Fogh Vindelev composing is a way of comprehending the world
and the times we live in. The horror and seriousness of reality is exhibited
with sober compositional methods which often are being staged through the
bodies of the musicians.